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About

Genius Annotation

Even though this comes off an album entitled “Soviet Kitsch”, there is a condemnation of the people who try to impose themselves on others (like Soviets did to artists and which resulted in Kitsch) and rob them of their selfhood is the principal theme of this song. It was the Soviets who put up statues of Stalin on mountaintops (well, maybe hills) overlooking their subject cities. Like many punk songs, it sets up a “them” versus “us” framework however in this case, no one “rises above” but instead rusts on the mountain top while tourists take pictures and the people who put them there write say it’s “all our fault”.

Q&A

Find answers to frequently asked questions about the song and explore its deeper meaning

What has the media said about the song?
Genius Answer

In 2018, NPR ranked this as the #72 greatest song by a female or nonbinary artist in the 21st century, saying:

Meeting Regina Spektor through her breakthrough album Soviet Kitsch in 2004 was akin to ripping down a long cobblestone street on a bicycle — relishing in the joy of possibility, feeling the texture of history below and becoming so enchanted you forget there is anything pleasurable at all about a smoother road more traveled. Before her family fled to the U.S. as refugees from Moscow when Spektor was 9, she studied Chopin and Rachmaninoff and was certain she would become a composer. On ‘Us,’ Spektor’s small Soviet self meets her Greenwich Village grownup at the corner of classical and whimsical, where the word ‘contagious’ has seven syllables, and a piano’s 88 keys are stand-ins for infinite expressions of personality.

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