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Lorde brings to light the ominous feelings surrounding her depart from childhood. It is quickly dismisses as trivial however as more comfortable mindframe is established, one that does not consciously acknowledge this inconvenient truth.

Lorde’s boyfriend James Lowe is eight years older than Lorde. Therefore, he can drive a car and ride around with Lorde.

Lorde feels more adult doing this, as adults are usually ones who are seen driving cars. Yet Lorde knows this is ridiculous, as she is still completely the same as she was when she was outside of the car mentally.

This theme is expanded in “400 Lux”.

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Though it may raise the bar of the quality of music she produces, Lorde’s inability to indulge in downtime hurts her, leaving both metaphorical and real bruises. In this sense, the “grind” she idolizes in the lines prior is dangerous, depriving her socially and leaving her little time to process and mourn.

Her ability to “count the bruises” may also refer to the process of music creation itself being a process of reckoning with injury and self.

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Sampha also released his Dual EP in the Summer of 2013 which was generally well received. It featured his biggest solo hit yet “Indecision”.

Peep the lyrics on RG here!

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Sampha has already shown himself to be extremely versatile. He is thoroughly adept with the piano and yet he can sing on anything from hip-hop beats to electronica type songs.

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Sampha has stated that he draws large influences from Stevie Wonder and the legendary Andre 3000, he states in an interview with The Telegraph:

They’re who I look up to in terms of their exploration in sound and in song – [they use] really interesting production, drawing from a wide range of music, and try to step into new territory with their sound.

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London’s very own featured on Pigeons And Planes best new artist of 2013.

There’s definitely more to come from this guy.

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Sbrkt’s debut album instigated a new experimental era in electronic music, this coupled with Sampha’s vocals provide some hypnotising songs.

Sampha featured on six of the songs on the album, the most popular of which being Hold On.

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This tracks provides one of the most reflective moments on Drake’s Nothing Was The Same.

Peep the lyrics on RG here

Sampha’s original version also provides some beautiful vocals.
http://www.youtube.com/watch?v=yC-0p4k0jw4

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What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

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Lorde previously used the term “lux” in “400 Lux.” While it is seemingly being used as shorthand for luxury here, a lux is also a unit of illumination.

Since bright lights are often used as a metaphor for fame (e.g. Kanye’s “All of the Lights”), Lorde is letting us know that she doesn’t envy or desire anyone trapped in the bright lights of fame.

Premiere at Grauman’s Chinese Theatre, Hollywood, 1927. Via LA Public Library Image Archive

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This signifies the change in Lorde’s mentality.

The lines which precede this reveal why she enjoyed the clique, whereas she goes on to describe just why it has become unbearable for her.

The Love Club may also be the White Teeth Teens:

I am not a white teeth teen I tried to join but never did

The white teeth teens are the popular kids, Lorde wants to be one of them. Yet she does not truly belong.

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