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Obvs I’ve been pushing hard for this but yeah, I’m prepared to let it go. Doesn’t seem like anyone else wants it on there.

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Leaving aside the “top 7” jokes, this should surely make the list. Pull out a rap song and put this beauty in. Not as good as “Pedestrian At Best” but still deserves a place on the list.

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Suspect this is an attempt to sneak more Kanye in. It’s not a realistic contender for the list. I hoped for much more from this collab tbh.

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Top 10 song. I think I’ve given my reasons often enough. Crime if it doesn’t make the list.

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I’d trade this in for “Pity Party”, which doesn’t seem as popular anyway. Tbh I think it is better than “Here” too.

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We already have three Drake songs on the list. This is the weakest. Let’s get some variety in here (plus half the “needs more discussion” songs are objectively better)

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This is nice enough but I don’t understand what it’s doing here. Should be at the bottom end of the list.

(and wouldn’t be my pick from the album tbh)

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“Old Flames” was originally recorded with Florence Welch (later of Florence and the Machine) on the female vocals. It was scheduled to appear on Love, Ire & Song, but Frank had trouble with the digital audio files and it was unusable.

Re-recording the song was considered several times, but Florence became, in Frank’s words, “too cool” to sing with him. Fans speculated that a version may emerge with first Emily Barker and then Laura Jane Grace on vocals, but these never materialised.

The song was eventually released on Ten For Ten, Frank’s “tenth anniversary” bonus rarities album rleased alongside the vinyl boxset of the First, Second, and Third Three Years. Billy “The Kid” Pettinger sang Florence’s parts.

The country-tinged song tells the story of two ex-lovers accidentally meeting up again and having a night of bad sex.

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“★” (pronounced “Blackstar”) is perhaps Bowie’s most experimental work since 1977’s Low. It contains several total shifts in instrumentation, but whilst images of death crop up repeatedly, the lyrics are abstruse and there are no obvious clues to any story unifying the fragments.

It is the titular first single from Bowie’s 27th and final studio album, released on the 8th of January 2016. Bowie tragically died only two days later. Unbeknownst to the world, he had been struggling with liver cancer for 18 months.

The song was originally conceived when Johan Renck asked Bowie to compose the theme music for The Last Panthers, a crime show he was directing. An edited version of the song was released for that purpose, before the single version was officially released in full on the 20th of November 2015. It was accompanied by a music video, full of bizarre imagery, directed by Renck.

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