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He means his weed (grass) is always better than yours. A pun on the common idiom, “grass is greener on the other side”.

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“Grey” references ‘50s sci-fi aliens, and as he’s been rejected by them, that makes him alienated by aliens. This is reinforced by the use of “maroon”, simultaneously a color and the action of abandoning someone on an island.

El-P stands in the center of this beautiful scene, but seems out of place: lost and alone, trapped with his thoughts, the only speck of grey in a world of brilliant color.

Although the sky is wonderful, there’s also something removed and even threatening about it. It’s the place where the thunder lived, as if it holds this terrible beast.

The “blizzard of mischief or brain prison” could be heroin, which is filtered through cotton wool. Heroin’s extremely addictive nature can make it feel like a trap.

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Recalls the theme of the ocean explored earlier on the album in “Ocean of Noise.” Noise is the gray static seen on a TV channel with no signal.

Possibly a reference to rising sea levels caused by climate change and the melting of the polar ice caps?

This has recently been explored by Vampire Weekend on Hudson.

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Anyone who has got salt in an open wound will know that this is very painful, thus anyone that does this intentionally to another person is torturous and vindictive. She’s literally rubbing salt into his wounds.

She can assault him – even torture him – and upon going to the police it is Jack White that gets arrested and charged with assault, not the girl.

This is possibly a comment on the legal state of affairs surrounding domestic abuse. Many American states have “primary aggressor” laws which help determine which partner is likely to be responsible for most of the violence. As the criteria include factors such as size, they have been criticised for being biased against men.

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He’s talking about DMT, or Dimethyltryptamine. One of the most powerful psychedelic drugs in the world, it causes intense hallucinations – as if you could see the future.

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The McCartney composition “Yesterday” was McCartney’s first great song, and written when the Beatles were still together. John is simultaneously saying that Paul is a has-been, and rubbishing most of his catalogue.

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The second line to this was originally “Would you throw tomatoes at me?”, but the line was changed because Ringo feared that, if the Beatles ever resumed touring and performed the song live, people would really throw tomatoes at him.

The song “With A Little Help From My Friends” was written specifically for me, but they had one line that I wouldn’t sing. It was ‘What would you do if I sang out of tune? Would you stand up and throw tomatoes at me?’ I said, ‘There’s not a chance in hell am I going to sing this line,’ because we still had lots of really deep memories of the kids throwing jelly beans and toys on stage; and I thought that if we ever did get out there again, I was not going to be bombarded with tomatoes.
- Ringo Starr, Anthology

This fear may have been caused after George Harrison made a comment that he liked jelly babies in the early days of The Beatles. Fans often threw jelly beans and jelly babies at them as they were performing.

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Jack White has a very strong love for lullabies and rhymes, so it’s no surprise to see him referencing the nursery rhyme “Five Little Monkeys” – particularly as he also referenced it on “Jimmy The Exploder”.

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White’s feelings for her – particularly the jealously and obsession – are like those of an infatuated young man. This drives home the strength of his feelings, which are just as intense as a first love.

His paranoia that she may be being intimate with another man reflects that he isn’t properly over her – chances are, he’s not had too much intimacy lately.

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Blunderbuss is the debut solo album by Jack White, released on April 24, 2012 through White’s own label Third Man Records in association with XL Recordings and Columbia Records. The album was written, recorded and produced entirely by White in 2011. The first single from the album, “Love Interruption” was released on January 30 through White’s website and Third Man Records website.
During a playback for the record in London, England, White said the sessions weren’t planned for anything in particular until the process was further down the line. “I didn’t really know I was doing it until I was doing it; four or five songs in, it felt like it was turning in to something,” he explained. “That’s how it started, I got three songs out of the first session, and it just sorta kept going. I didn’t know if they’d be for a Dead Weather record or a Raconteurs record, but by about the sixth or seventh song it felt like I was making a record of its own, so I just thought ‘I guess I’ll call this Me’.”
On several occasions White had no material prepared in advance before going into the studio. Discussing the recording and writing process, he said: “Sometimes I would challenge myself, when I had nothing, to make something up on the spot, although I’d tell the other players that I already had something in mind. I would just sit down at the piano, while six or seven people were standing around, waiting for me to tell them what to do. I’d make up the changes and the tempo as I went along.” (The Quietus).

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