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There are two significant deviations from the original lyrics here. Firstly, instead of “pictures and papers getting ruined by the rain”, Frank uses the less alliterative “papers and albums got soaked by the rain”. This suggests that Frank struggled to enjoy his favourite music and books, rather than his depression affecting his personality and work.

Frank also switches to using the first person singular, rather than the third person “we”. This makes his struggles seem less communal, and more personal. This reflects the feelings of loneliness and isolation that often come with the hopelessness of depression.

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In 1940, Germany’s Blitzkrieg reached the channel. Rather than invade Britain, the Nazis decided to bomb it from the air until it was crippled and afraid. There was just one problem – the British faced the Blitz with stoicism and even defiance, until the Germans had to ease off in order to attempt to invade Russia. The “Blitz spirit” is a shorthand for an attitude of endurance in the face of difficulty.

It’s all very well telling someone that they should just grin and bear their troubles. When they’re actually living them, the experience is that much more real, and it isn’t so easy to brush off the misery that surrounds you.

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Throughout this song, Frank uses a storm as a metaphor for personal struggles, such as depression. This technique, in which nature reflects human emotion, is known as pathetic fallacy.

At gigs, Frank confessed that 2014 was a particularly difficult year for him. These lyrics suggest that he felt utterly overwhelmed for a few months, thanks to more than one obstacle being thrown in his path.

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Sutanejo is the Spanish equivalent of “whats-his-face”. Compared to Sadie, everyone is is a nobody, not worthy of having their name remembered.

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This doesn’t really do them justice. Some constantly hum in the background, whilst others almost loop, never quite repeating in exactly the same fashion. This is a Beach House trademark, and nobody else does it nearly as well.

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I think “instead” is the important word here. We need to do both.

By now, I think a large majority of rapists understand that what they’re doing is wrong. We could probably get better at explaining the borderline between “drunk enough to say yes” and “too drunk to say no”, and that a relationship isn’t a sex tap, but “don’t rape” is a lesson that any man old enough to have sex has been taught plenty of times.

It’s irresponsible to say “we shouldn’t teach women to avoid getting raped, we should just teach men not to rape”. Obviously it’s no substitute, but self defence and keeping safe are valuable life skills. There are bad people out there who will always be prepared to attack you to get their own way. Not teaching people how to reduce their risk of being badly hurt by psychopathic criminals will increase the number of victims of violent crime, including rape.

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This shouldn’t be a gendered thing, although it is important to consider that aspect too. We should act in a way that minimises anyone’s fear.

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It certainly seems that women fear for their safety more than men – but are those feelings justified, or are men overly confident or women overly cautious?

Violent crimes committed against women (including rape) are overwhelmingly committed in their homes, by people they know. When it comes to walking the streets, the average man is in much more danger. 80% of violent attacks committed by strangers are against men. The same goes for murder, where 77% of murder victims are male and most female victims are killed by sexual partners. Obviously, rape is an exception, but as violent attacks go, it’s quite rare.

There are a few possible explanations that square with Burnett’s worldview. For example, perhaps men are more likely to be violently attacked because they’re less cautious about their personal safety? The other thing to consider is whether gang violence in inner cities represents so much of the crime that men in towns, suburbs, and rural areas are as safe as the average woman, but I find that unlikely.

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The ocean is probably a metaphor for life as a whole. When we are young, and anchored to the sea floor, it is difficult to have any real idea of what the rest of our lives will be like – we can only make out vagaries, like the currents of the sea moving above our heads.

By the time we have figured out more of what life is about, and we can clearly see the stars moving overhead, our life, like the water, has run out…

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Only my third favourite MMG release of the year. I thought it was a little “lyrical for the sake of being lyrical” at times, although perhaps another listen would spear that.

Oddisee had some of the same problems, but imo pulled it off better. There’s no much in it though, and I can respect falling down on Georgia’s side to get some female representation on there.

Their best album, though, was probably The Night Took Us In Like Family. I’m surprised it isn’t here, to be honest.

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