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“Heartland” is a honeymoon period, or a past time at the peak of these two lover’s relationship, when everything was right. The term ties into the heart’s romantic period, the space that love occupies.

The narrator is describing the moment at which she/he asked to take the relationship to the next level by going steady or getting married. It’s a daunting point to past, getting ready for a long life together.

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What is this?

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The picket fence is synonymous with a safe suburban home and life. Not the most exciting, but it’s still an achievement.

While her more conventional peers toil for financial stability, Ivy lives as a starving artist who forgoes good money to focus on her singing.

As the chorus will go, not only she values artistic notoriety over a boring long life, but she straddles the poverty line for her legacy.

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What is this?

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Here, Melanie uses the metaphor of a water faucet to describe Cry Baby’s overflowing tears. The faucet metaphor returns in “Soap”, when a more specific situation—confessing her love—triggers the emotions.

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What is this?

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Described as the “comedown to “Gold’s” turn-up”, “Feels” is its equally experimental yet more ethereal counterpart. The song’s surreal electronic qualities are reflected in the hazy music video.

“Feels” was the third song released and the second single from Kiiara for her debut EP, low kii savage.

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What is this?

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“You’re Onto Me” is a follow-up to Lily Allen’s Sheezus. Based off of hip-hop instrumentals, the song’s about wanting to start a relationship without getting too deep into it.

Lily debuted the song on Periscope. Watch the recording here (start at 0:35).

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What is this?

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“White parties” center around an all-white dress code, as a way to look fancy in a luxurious setting.

Directly violating a party’s dress code is already rebellious, but Dre’s a black guy amongst white billionaires. He might not be as proper as other businessmen, but who cares? Don’t ignore him at the socialite just because he built an empire off of hip-hop and went with a dark tuxedo.

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A happier flip of the classic Lesley Gore quote “it’s my party and I’ll cry if I want to”. This homage comes shortly after Melanie Martinez’s interpolation of the line.

Like the original, she asserts her right to act how she wants in her own party. Instead of crying, she doesn’t care if she’s wild. She’s the host and she’ll enjoy herself no matter what–and even get some tonight.

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What is this?

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That somebody’s God, who observes Compton. Little’s known about Asia’s religious beliefs, but she at least keeps the divine in mind as she lives.

The thrill’s high from of all of the violence, so she must be jaded for her to think of a violent day as just another, with crime as the norm.

Meanwhile, the fire is Compton’s danger, along with its resident’s passion. The harm’s so noticeable, it’s like it’s recorded in skybound smoke. It might also be the sunrise and sunset, which bookend day after day.

She’s in danger of being “burned” by a gunshot or a knifestab, but she has a feeling she’ll keep living. She might not feel significant, but since she has survived years, why wouldn’t it not continue? Hope, no matter how little, exists.

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Since Compton’s a short distance from the Pacific Ocean, the body of water–and its shark-filled depths–represents the city and its culture.

Sharks are an appropriate description for Compton’s violence, but at the same time, the music scene’s deep in a figurative sense. All of Dre’s detractors, along with those who don’t appreciate Compton’s legacy, should look at his origins and find some SoCal respect.

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The Pacific Ocean is 36,200 feet deep at Challenger Deep; Dr. Dre’s sound has shaped hip-hop, as Kendrick’s verse will soon testify. Like how the ocean’s depth goes for miles, Dre’s impact on the game is undeniable for how he has refined entire sub-genres like gangsta rap and g-funk.

Dre warns the current generation of MCs to recognize his influence, to not forget who had a hand in rap’s current position.

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